Skip to main content
MAYAS: The Secrets of the Last Cities
Description
If Central America is the cradle of Mayan civilization, the Yucatan Peninsula in southern Mexico can be considered the receptacle of its ...
Original title
MAYAS: הסודות של הערים האחרונות
אם מרכז אמריקה היא ערש תרבות המאיה, אז חצי האי יוקטן שבדרום מקסיקו הוא המקום שבו נשמרו...
סיכום AI
שאלות נפוצות
מקורות וציטוטים ציבוריים
לחצו על הכפתור כדי לאתר אוטומטית מקורות ציבוריים אמינים (Wikipedia, ארכיונים ממשלתיים, NASA וכד׳) הקשורים לנושא הסרטון.
Video transcript
This video has no captions on YouTube.
You can generate an approximate AI transcript from the video metadata.
Related Videos
No Subtitles
🇮🇱 Hebrew
No Subtitles
🇮🇱 Hebrew
No Subtitles
🇮🇱 Hebrew
No Subtitles
🇮🇱 Hebrew
No Subtitles
🇮🇱 Hebrew
No Subtitles
🇮🇱 Hebrew
No Subtitles
🇮🇱 Hebrew
No Subtitles
🇮🇱 Hebrew
The Man Who Loved UFOs Official Trailer Netflix
Argentina in the 1980s was fertile ground for fantastic stories, but no one captured the public imagination quite like José de Zer. The charismatic and controversial journalist embarked on a boundary-pushing journey in search of evidence for aliens and extraterrestrial civilizations. However, rather than settling for dry reporting, de Zer chose a far bolder method: he didn't shy away from forging evidence, building fictitious displays, and employing cinematic manipulations that turned every routine news broadcast into the best theatrical show in town. The film *The Man Who Loved UFOs* dives into an era where the lines between investigative journalism and pure entertainment completely blurred. Armed with a microphone and a loyal camera crew, de Zer managed to sweep an entire nation into a "media circus" revolving around the UFO phenomenon. He transformed Argentina's mysterious hills into pilgrimage sites, utilizing dramatic cinematography and suspenseful narratives to infect millions of viewers with "alien fever," all while hand-crafting his own mythology. Beyond the personal story of a colorful journalist, the work touches on a broader cultural phenomenon—the human need to believe in something greater than ourselves, and the ease with which truth can be manipulated in the television age. De Zer was not merely a hoaxer; he was a master storyteller who understood before anyone else that the audience thirsted for mystery, even if it was manufactured in a studio or in the field with cheap props. The film portrays the personal and professional toll of living within a lie, as well as the hypnotic magic of the flying saucers that managed to make an entire nation look up toward the stars. Netflix's new comedy-drama invites viewers on a nostalgic and spectacular journey behind the scenes of one of the most fascinating deceptions in the history of South American media. It is a portrait of a man who loved fame, the camera, and perhaps most of all—the idea that we are not alone in the universe, even if he had to invent the neighbors from outer space himself.No Subtitles
🇮🇱 Hebrew
1:05:40
No Subtitles
🇮🇱 Hebrew
58:35
No Subtitles
🇮🇱 Hebrew
1:15:22
No Subtitles
🇮🇱 Hebrew
No Subtitles
🇮🇱 Hebrew
No Subtitles
🇮🇱 Hebrew
No Subtitles
🇮🇱 Hebrew
No Subtitles
🇮🇱 Hebrew
No Subtitles
🇮🇱 Hebrew
No Subtitles
🇮🇱 Hebrew
No Subtitles
🇮🇱 Hebrew
No Subtitles
🇮🇱 Hebrew
Cookies & Privacy 🍪
We use cookies to improve your experience
For more information, see our Privacy Policy